The Canon 5D Mark II for Video

Which is the best Canon SLR for Video Use? How do they differ?

[For non-video related comparisons of these cameras, please see my previous articles : 5D Mark II vs. the 7D and the 7D vs the T2i.]

Currently, the Canon EOS 5D Mark II is unrivaled in the world of SLRs for professional quality video production.  For those of you who watch the FOX medical drama “HOUSE”, you may be interested to learn that the recent season finale (May 2010) was shot entirely with Canon 5D Mark IIs. The 5D’s closest competitors, though, are also Canon SLRs, and less expensive ones at that.  These are the Canon EOS 7D and the Canon T2i / 550D.  There are a few fundamental differences between these cameras and the 5D which may make them more attractive to some film makers, while others may be deterred. I’ll quickly discuss these differences below. As always, additional information and further questions  are welcome! Continue reading »

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Which 70-200 Lens Should I Buy? A Quick Guide

Canon 70-200 Lenses f2.8 f4

Canon's 70-200 lenses, and a Sigma thrown in for good measure. Not to scale.

With the release of Canon’s latest offering, the EF 70-200 f2.8 USM IS II, Canon has at least 5 pro-quality lenses in the same focal length range. If you include the original EF 80-200 f2.8 from the 1990s (now discontinued, but still available used), the count is up to 6. And then there are the offerings from Sigma, Tamron, Tokina, and the other third parties. Tokina’s lens in this range, now over 8 years old, has fallen out of favor, and I’ll leave it out of this comparison. Tamron’s offering is very impressive optically, but does not currently have image stabilization. Sigma has recently announced the addition of a new, image stabilized version of their very popular lens (and we can hope for some minor improvements to image quality that is already very good). Continue reading »

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Who will benefit from paying for the Canon 7D?

Canon 7d vs Canon Rebel T2i 550D

[If you're interested in the VIDEO features of the Canon 5D Mark II, 7D, and T2i / 550D, you may also find this article helpful: Canon SLRs for Video - JMG]

This week’s introduction of the new Canon 550D / Rebel T2i raises some interesting questions.  This is a camera that clearly out-classes the Canon 50D in many regards, and has many of the features of the Canon EOS 7D, but at less than half the price (Currently $799 at Amazon.com). Will professional or semi-professional photographers be satisfied using the T2i instead of the 7D? What types of photographers will get any practical benefit from paying double for the Canon 7D?

Let’s get this out of the way first. If you’re at least a semi-pro, you’ll want to opt for the 550D designation over the “Rebel”, if it’s available. What photographer over the age of 15 wants a camera with “Rebel” in red letters across the front? Just kidding.

More seriously, though, let me do a quick side-by-side comparison of their features. If you’d like to see the whole table at once, just click use the drop-down menu at the top-left of the table: Continue reading »

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Canon Announces New Model of Iconic Lens : 70-200 f2.8 IS II USM

New Canon 70-200 2.8 IS II USM

The New Canon 70-200 2.8 IS II USM

[UPDATE: Now that this lens is available and has been tested, I've published a comparison between this AMAZING lens and several others in the same focal range. You can find it here: Canon 70-200 lens comparison ]

Today, Canon announced the release of their updated model of the 70-200 f2.8, a workhorse for photojournalists and and other photographers who enjoy its wide apertures, snappy auto-focus, and (usually) crisp optics. Don’t get your credit cards out yet… it won’t be shipping until at least April, according to Canon USA. Read the rest of the article for a quick summary of the key differences. Continue reading »

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Noise Reduction Banner

Introduction

Noise Reduction software is now an integral part of the photographic workflow, just as much as yellow and magenta filters were in the days of the wet B&W darkroom. They are particularly important, though, for those of us working in photojournalism, wedding photography, and similar fields that require us to shoot indoors in poorly lit venues at high ISOs. Even images from the best modern sensors benefit from proper noise reduction (NR) treatment.

One of Photoshop CS4′s few shortcomings, though, is its weak noise reduction functionality. To get the best results, it is now necessary to use 3rd party software, either stand alone or as a Photoshop plug-in. Over the years, dozens of different NR programs have been released, but today, only a handful of them are really worthy of attention, either because of their popularity or effectiveness.

One wonderful site, MichaelAlmond.com, has already compared many of these programs, especially many of the older Photoshop actions, and I would not hesitate to recommend reading his information. I found, though, that his reviews were missing some key information and were, at the same time, not organized for quick reference. They’re also getting to be a little out of date (last updated in 2005). Consequently, I’ve decided to write some updated and augmented reviews of my own. I hope that you find them useful.

CLICK HERE TO GO TO THE MAIN ARTICLE INDEX

Screenshot of Noiseware in Photoshop CS4 on WinXP x64; click to enlarge.

Screenshot of Noiseware in Photoshop CS4 on WinXP x64; click to enlarge.

Noise Ninja Screenshot, as a Photoshop Plugin on WinXP x64

Noise Ninja Screenshot, as a Photoshop Plugin on WinXP x64

Continue reading »

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Canon 7D vs Nikon D300s

Canon 7D vs Nikon D300s

A few weeks ago, I compared the Canon 7D to the Canon 5D Mark II, suggesting that they’re both excellent cameras, but suited to different types of work. However, there is another camera that appears to be intended for the same target market as the Canon 7D, with many similar functions and a very similar price (within $100). That camera is the Nikon D300s, which was released a few months before the 7D. Again, I can say that they’re both excellent cameras, and the deciding factor for purchasing one will undoubtedly be which of the features are most important to your photographic style.

But the cameras are not created equal. Let me begin with a side by side comparison of their most prominent features. Continue reading »

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The Canon 7D and 5D Mark II: Resolution Comparison

I’ve had a chance to make a cursory comparison between some full resolution photos taken by the new Canon 7D and a Canon 5D Mark II, and the results have not been exactly what I expected. Before I go on to describe the results, let me mention that the 7D in question is a pre-production model, and results may improve (where theoretically possible) by the time that they ship. I’d also like to thank Steve Eastwood at Modelmayhem for providing the images.

As I mentioned in my previous discussion of these two cameras, the overall pixel count difference is minimal in terms of final print size, but because the 5D Mark II has a full frame sensor, it has a much lower receptor density (about 156 receptors per millimeter) compared to the 7D (about 233). Even though it may seem that higher resolution on the sensor would lead to sharper photos, we should not expect this to be the case in practice because even our best lenses offer a lower resolution than the 7D sensor, and therefore the sensor’s extra resolution will not be capturing extra detail.

Figure A: Canon 7D - 100% Crop

Figure A: Canon 7D - 100% Crop

Figure B : Canon 5D Mark II - 100% Crop, ISO 3200

Figure B : Canon 5D Mark II - 100% Crop, ISO 3200

If this concept is hard to grasp, consider this scenario: suppose that you have a fixed focal length lens (say, a 100mm) on your 5D and you set up an object on a table in your studio so that, with your camera on a tripod 10 feet away, it fills the whole frame.  Now suppose that you put the lens on a 7D and place the camera on the same tripod. Of course, the object won’t fill the frame any more, it will be cropped. In order to fill the frame the same way (or as close as possible), you’ll have to back up a few feet.  After backing up a few feet, you’re now using less of the image that would be produced by the lens on a full frame camera to create the same photo, which also means that you’re magnifying the lens’s flaws.

Figures A and B are from a little less than 1/4 of the distance across the frame horizontally. This means that on the full frame sensor of the 5D, this is getting near the edge of the frame, which we’d expect to be a bit less sharp. On the 7D, this is using a more central part of the lens, so any lack of sharpness is less likely to be related to optical problems with the lens.

As you can see, however, the 5D is still sharper, though not by a tremendous amount. The difference is most noticeable in the “www” text below the logo box. Since the two images were shot at 3200, noise is also a factor.

Digital Noise

Figures A and B display a significant amount of digital noise, but in each case, no more noise than a CCD equipped camera would have produced at ISO 800 a few years ago. The question, however, is whether there is a difference between the cameras. Continue reading »

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Which is right for you, the Canon 7D or the 5D MarkII?

Which is right for you, the Canon 7D or the 5D MarkII?

The Differences That Matter

The first difference worth mentioning, of course, is the price tag…. about $900 difference, if the current prices listed are any indication (7D at about $1599 at B&H or Amazon and the 5D Mark II at about $2499 at B&H or Amazon). [Note: Canon is currently offering rebates on both] Since we’re looking at a couple of cameras that have the build quality for professional use, with magnesium alloy bodies, full HD video capabilities, top notch processors, and some of the most advanced CMOS sensors around, we can expect professional quality results from either camera. In fact, comparing the columns of features for the two cameras reveals that the vast majority of them are identical.  Something must justify the price difference, though.

Most obviously is the CMOS sensor difference, the 5Dii being a 21M pixel, full frame sensor, and the 7D being an APS-C size holding about 18Megapixels. The 7D has dual Digic4 processors, whereas the 5Dii has only one. Probably as a result of this, the new arrival boasts burst speeds about twice as fast as the 5D. There are many other minor differences (and perhaps a few significant ones), but I think that these are the most important to consider up front. Continue reading »

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