IPS monitors for photo editing

Three IPS Panel Monitors: a Viewsonic, an HP DreamColor, and an Eizo with hood and colorimeter.

Is the monitor really that important?

The quick answer: YES, absolutely.

IF YOU CAN’T SEE THE COLOR AND TONAL DIFFERENCES on your monitor, then you can’t make good post-processing decisions and adjustments to your digital negatives. It’s that simple. You can’t adjust your curves to give your print smooth tonal transitions or to distinguish subtle shadow detail if Continue reading »

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The Canon 5D Mark II for Video

Which is the best Canon SLR for Video Use? How do they differ?

[For non-video related comparisons of these cameras, please see my previous articles : 5D Mark II vs. the 7D and the 7D vs the T2i.]

Currently, the Canon EOS 5D Mark II is unrivaled in the world of SLRs for professional quality video production.  For those of you who watch the FOX medical drama “HOUSE”, you may be interested to learn that the recent season finale (May 2010) was shot entirely with Canon 5D Mark IIs. The 5D’s closest competitors, though, are also Canon SLRs, and less expensive ones at that.  These are the Canon EOS 7D and the Canon T2i / 550D.  There are a few fundamental differences between these cameras and the 5D which may make them more attractive to some film makers, while others may be deterred. I’ll quickly discuss these differences below. As always, additional information and further questions  are welcome! Continue reading »

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Which 70-200 Lens Should I Buy? A Quick Guide

Canon 70-200 Lenses f2.8 f4

Canon's 70-200 lenses, and a Sigma thrown in for good measure. Not to scale.

With the release of Canon’s latest offering, the EF 70-200 f2.8 USM IS II, Canon has at least 5 pro-quality lenses in the same focal length range. If you include the original EF 80-200 f2.8 from the 1990s (now discontinued, but still available used), the count is up to 6. And then there are the offerings from Sigma, Tamron, Tokina, and the other third parties. Tokina’s lens in this range, now over 8 years old, has fallen out of favor, and I’ll leave it out of this comparison. Tamron’s offering is very impressive optically, but does not currently have image stabilization. Sigma has recently announced the addition of a new, image stabilized version of their very popular lens (and we can hope for some minor improvements to image quality that is already very good). Continue reading »

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Who will benefit from paying for the Canon 7D?

Canon 7d vs Canon Rebel T2i 550D

[If you're interested in the VIDEO features of the Canon 5D Mark II, 7D, and T2i / 550D, you may also find this article helpful: Canon SLRs for Video - JMG]

This week’s introduction of the new Canon 550D / Rebel T2i raises some interesting questions.  This is a camera that clearly out-classes the Canon 50D in many regards, and has many of the features of the Canon EOS 7D, but at less than half the price (Currently $799 at Amazon.com). Will professional or semi-professional photographers be satisfied using the T2i instead of the 7D? What types of photographers will get any practical benefit from paying double for the Canon 7D?

Let’s get this out of the way first. If you’re at least a semi-pro, you’ll want to opt for the 550D designation over the “Rebel”, if it’s available. What photographer over the age of 15 wants a camera with “Rebel” in red letters across the front? Just kidding.

More seriously, though, let me do a quick side-by-side comparison of their features. If you’d like to see the whole table at once, just click use the drop-down menu at the top-left of the table: Continue reading »

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Canon Announces New Model of Iconic Lens : 70-200 f2.8 IS II USM

New Canon 70-200 2.8 IS II USM

The New Canon 70-200 2.8 IS II USM

[UPDATE: Now that this lens is available and has been tested, I've published a comparison between this AMAZING lens and several others in the same focal range. You can find it here: Canon 70-200 lens comparison ]

Today, Canon announced the release of their updated model of the 70-200 f2.8, a workhorse for photojournalists and and other photographers who enjoy its wide apertures, snappy auto-focus, and (usually) crisp optics. Don’t get your credit cards out yet… it won’t be shipping until at least April, according to Canon USA. Read the rest of the article for a quick summary of the key differences. Continue reading »

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Noise Reduction Banner

Introduction

Noise Reduction software is now an integral part of the photographic workflow, just as much as yellow and magenta filters were in the days of the wet B&W darkroom. They are particularly important, though, for those of us working in photojournalism, wedding photography, and similar fields that require us to shoot indoors in poorly lit venues at high ISOs. Even images from the best modern sensors benefit from proper noise reduction (NR) treatment.

One of Photoshop CS4′s few shortcomings, though, is its weak noise reduction functionality. To get the best results, it is now necessary to use 3rd party software, either stand alone or as a Photoshop plug-in. Over the years, dozens of different NR programs have been released, but today, only a handful of them are really worthy of attention, either because of their popularity or effectiveness.

One wonderful site, MichaelAlmond.com, has already compared many of these programs, especially many of the older Photoshop actions, and I would not hesitate to recommend reading his information. I found, though, that his reviews were missing some key information and were, at the same time, not organized for quick reference. They’re also getting to be a little out of date (last updated in 2005). Consequently, I’ve decided to write some updated and augmented reviews of my own. I hope that you find them useful.

CLICK HERE TO GO TO THE MAIN ARTICLE INDEX

Screenshot of Noiseware in Photoshop CS4 on WinXP x64; click to enlarge.

Screenshot of Noiseware in Photoshop CS4 on WinXP x64; click to enlarge.

Noise Ninja Screenshot, as a Photoshop Plugin on WinXP x64

Noise Ninja Screenshot, as a Photoshop Plugin on WinXP x64

Continue reading »

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Canon 7D vs Nikon D300s

Canon 7D vs Nikon D300s

A few weeks ago, I compared the Canon 7D to the Canon 5D Mark II, suggesting that they’re both excellent cameras, but suited to different types of work. However, there is another camera that appears to be intended for the same target market as the Canon 7D, with many similar functions and a very similar price (within $100). That camera is the Nikon D300s, which was released a few months before the 7D. Again, I can say that they’re both excellent cameras, and the deciding factor for purchasing one will undoubtedly be which of the features are most important to your photographic style.

But the cameras are not created equal. Let me begin with a side by side comparison of their most prominent features. Continue reading »

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